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Shirley Jackson superior on the crux of sick or weird or "altered". This particular book I guessed what was going to happen next 99% of the time. That takes the tension away for me- and just leaves the eww! Yet despite Tryon’s smart use of different genres to his storytelling advantage, I struggled with his prose. It is complex and "good" writing in the sense of varied sentence structure, musicality, and so forth, but it is also equally vague at times.

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But the limited voice moves between characters, sometimes even within the same scene, which I further found jarring because, once again, I had been teleported in a sense from one character’s mind instantly into another’s mind without warning. Of course all of these aspects of Tryon’s prose is my personal reaction, so others may not be bothered by these aspects as I was. On a literary level THE OTHER really is remarkable considering it is certainly genre bending, which writer Dan Chaon highlights in his included afterward. (I guess the literary value of the novel shouldn’t be too shocking in light of the fact that the NYRB republished THE OTHER in cue the sipping of tea with an extended pinkie finger, lol). This shifting of modes skillfully works to disorient the reader and, in turn, ups the ante in the department of creating dread.

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Transitions are unclear, and I would suddenly discover I was in a completely different setting without having "traveled" there in some way, which threw me off several times; it kind of felt like the narrator was teleporting me from one spot to another. Sometimes flesh and blood characters (if you’ve read THE OTHER, you know why I’m making that distinction) just magically appear in a scene when they otherwise feel very much "off camera," and their sudden insertion into the action was jarring. Chaon writes in his afterward that the POV shifts between a first-person narrator to a third-person limited voice.

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  • If you create an character guaranteed to get more guns, then this whole part of the mode is non-existent, making the game 10 times easier than it should be.
  • Now this isn’t part of the game at all, but if you know what keybinding software is, then you should be glad to know that it works perfectly for this game.
  • The zombies do not attack hardcore, like you’d come to expect from games like left 4 dead, but whats to like about the survivor mode is that it makes use of items like food, drinks, and beds, where as in Run & Gun, you can easily bypass those things.
  • One is run & gun, basically easy mode, no need to explain anything there.
  • Then there’s the survivor mode, a hard mode that boasts hunger systems, less ammo, and a sleep system.

Just not my cup of tea to begin with, but the writing skill was way over average. For most modern best seller type prone readers it would be hugely overworked prose. The Bad Seed and Defending Jacob were better for plot lines etc. around the same basic onus.